Chapters & Collections
Interview: Peter A. Berry
Editor’s Note: This story originally appeared in the Winter 2020 issue of XXL Magazine, on stands now.
Troy Ave has played the rap game’s Santa Claus for the past eight years, dropping off gifts in the form of mixtapes every Christmas. The projects are part of his White Christmas series and serve as Troy’s annual event, each one feeling like a snapshot of the Brooklyn artist’s life by the end of that year. Phoning in to XXL ahead of the release of his White Christmas 8 project, Troy Ave takes a look back at his franchise.

White Christmas
“When [White Christmas] was going on, I was just trapping. I was hustling hard. Trying not to take Ls during a drought. I was still going out of town. I was still doing illegal shit, so I ain’t never get to sit down and bask in the moment. We’d take the studio on the road, out of town in a hotel cooking up, I’m recording something for White Christmas real quick. Or I go back to my mama crib. I got the studio in the basement.

White Christmas 2
“I think I had DJ Drama on there and then that’s when I dropped New York City: The Album…‘Your Style’ came out on White Christmas 2. That’s when I was like, Oh shit, this shit is gon’ work.”

White Christmas 3
“[This is] when I felt like I could focus a lot. Like, Alright, this music shit starting to work. Now I wasn’t just playing in practice no more. I was playing in front of fans. I know people was gon’ be tuned in.”

White Christmas 4
“That shit came out after I came out of jail…I just remember the impact that it had after it dropped because that was the day after I got shot on Christmas. I had a condo at the time. So, it was like, I stepped up now. Now I owned an apartment… I recorded that shit in the crib.”

White Christmas 5
“I did a lot of that on the road. That was a collage of all the other White Christmas’. I was [like] ‘Fuck the world’ on that shit. That wasn’t a very Christmasy spirit. That one was like the Grinch.”

White Christmas 6
“That’s when I was discovering L.A. I was out there, I was loving that shit... I don’t even remember. All of these periods of my life, it got a cloud over it because it’s like, Damn, am I gonna go to jail?”

White Christmas 7
“I love the’s just a blur. At this point I was just doing it to not let down my fans. That’s what I was doing it for. ‘So True’ was my favorite record [on White Christmas 7] by far. I like those deep, reflecting records. Anything that’s deep that you could reflect on is fire to me.”

White Christmas 8
“The shit is’s like nothing I ever did before. Shit is just different. It’s that Troy Ave shit. It’s that unexpected fire.”

Check out more from XXL’s Winter 2020 issue including our DaBaby cover story, an introduction to DaBaby's Billion Dollar Baby Entertainment label roster, an interview with South Coast Music Group founder Arnold Taylor, who discovered and signed DaBaby, one of King Von's last interviews, how the coronavirus changed hip-hop, we catch up with Flipp Dinero in What's Happenin', Rico Nasty talks about rediscovering who she is as an artist, Marshmello reveals the rappers he wants to work with in Hip-Hop JunkieShow & Prove interviews with The Kid LaroiFlo Milli, and Iann Dior, we take a closer look at how rap music gets leaked, producer LilJuMadeDaBeat shares how he made Megan Thee Stallion's hit song "Body," Kash Johns, founder of Winners Circle Publishing, discusses what makes a hot producer, get to know hip-hop's hottest new collective Spillage Village and more.

See Photos of XXL Magazine's Winter 2020 Cover Shoot With DaBaby

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